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Because my mother had been on the stage, as a child performer with the Helen & Peggy Oneill Kiddie Revue, and had appeared in theatres all around the San Francisco and Berkeley areas during her young life, I was raised to be a performer, as well. Daddy was 19 when he married my mother. He had a great love for music and had learned to play the ukelele as a young man so after they were married, he would accompany her on the "uke" and sing along in harmony. They loved singing together and it was only natural that I should grow up, constantly hearing music and laughter around the house and wanting to sing, too.

It wasn't long before I knew every one of their songs. Soon I was the lead singer and they were backing me up and I loved every minute of it.

At three years old, I was sent to dancing school and soon I was performing in recitals and winning State Fair Competitions and talent shows around Southern California. When I was five, I won first place, in the Orange County Better Baby's Exposition and it was then my father decided his little girl was ready for "the big time."

One Sunday afternoon, in 1934, my mother combed my curls and dressed me up while Daddy got out my professional photographs. We drove to the famous Hal Roach Studio in Culver City but when we got there the gates were locked and the studio was closed and the only person in sight was a gardener mowing the expansive lawn. Daddy was undaunted...he got out of the car, walked to the wrought iron fence and beckoned the man to come over. Being a friendly sort of fellow, he obliged and a conversation ensued which resulted in the gardener taking my photographs inside the studio.

We sat in the car and waited. Suddenly, the massive gates began to open and we were motioned to drive inside and proceed to a certain office. When we arrived, a nice man greeted us, talked to me awhile and then asked me to sing. I sang for him and did a little dance routine. When we said goodbye, he said he'd be seeing me real soon.

On our way home, Daddy told me the man I sang for was the Our GANG director, Gus Meins and he wanted me to be at the Studio on Monday for a voice test. As a result of this test, I was put under contract to Hal Roach Studio from 1934 to 1936 and cast to sing "Little Grass Shack" in the next OUR GANG movie "Mike Fright." That was the beginning of 30 exciting years in show business.

THE EYEFUL TOWER

BE ON THE LOOKOUT: THIS GIRL HAS A RECORD!

Yes, I did have a record in those days...a record contract with Coral Records.

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A multiple image collage of my 30 years in Show Business.

Van Johnson and Loretta Young attending my star studded opening in Beverly Hills, California.

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For the next 20 years, I had a very successful singing career, being under contract to CORAL RECORDS, singing Radio Commercials and starring in my own nightclub act at top entertainment spots such as: the Frontier in Las Vegas, the Riverside in Reno, the Shamrock in Houston, the 500 Club in Atlantic City and other leading supper clubs across the country.